Up Next
Turkey Tom Reveals Never-Before-Seen Information on Tyler Robinson and Lance Twiggs Leading Up to Charlie Kirk Assassination
47:03
Megyn Kelly and Legal Experts Examine Forensic Ballistics Evidence in High-Profile Shooting Case Involving Tyler Robinson
12:06
Travis Shares His Eyewitness Account of the Charlie Kirk Shooting at UVU: Standing 50 Feet Away
25:20
Forensic Audio Analysis Proves Charlie Kirk Assassination Shot Came From Official Narrative Location
An independent investigator conducts forensic gunshot audio analysis to determine the true origin of the fatal shot that killed Charlie Kirk. Using supersonic bullet signature analysis, multiple camera angles geolocated via Google Earth, atmospheric data, and field-tested control shots with various firearms, the analysis examines competing theories, including claims of a handgun shooter, an exploding microphone, or alternative sniper positions. By measuring waveform gaps between the supersonic crack and muzzle blast from three distinct camera positions, then triangulating those distances, the evidence overwhelmingly supports the official account: a high-powered rifle fired from approximately 150 meters away on a rooftop. The investigation dismantles alternative theories and confirms that the bullet could not have originated from any other location or weapon type based on the audio signatures captured on video.
Understanding Forensic Gunshot Audio Analysis
In the aftermath of the Charlie Kirk assassination, questions emerged about whether the official narrative—that the fatal shot came from approximately 140 yards away on a rooftop—was accurate. Alternative theories proliferated, suggesting the shot came from a closer handgun, from over the shoulder, or even from an exploding microphone. A CNN report that aired the day after the shooting featured audio forensics expert Rob Maher, who analyzed the audio and determined that the signature crack and pop pattern indicated a single supersonic gunshot from a firearm located about 150 meters from Kirk's position at the podium.
Dr. Maher, a professor at Montana State University and a leading expert in forensic gunshot audio analysis, published his findings almost immediately. However, this critical piece of evidence was largely buried in the noise of post-incident coverage. An independent investigator, working without a background in audio forensics but with determination and methodical rigor, decided to verify these findings using available video footage, atmospheric data, and field-tested control samples.
The Difference Between Supersonic and Subsonic Shots
The foundation of forensic gunshot audio analysis lies in understanding how different firearms create distinct audio signatures. Supersonic bullets—those traveling faster than the speed of sound—create a shock wave or sonic boom as they move through the air. This produces a sharp crack sound that is clearly distinguishable in audio recordings. When analyzing the waveform of a supersonic gunshot, you can identify two distinct sounds: first, the crack of the bullet's shock wave, and second, the muzzle blast from the firearm itself.
Subsonic bullets, on the other hand, travel slower than the speed of sound and do not produce a shock wave. These rounds create a softer, more muffled sound with no sonic boom. Common subsonic rounds include .45 ACP, .22 long rifle, and even 9mm ammunition, which is only barely supersonic. By contrast, high-powered rifle rounds typically travel at approximately twice the speed of sound, creating a much larger gap between the supersonic crack and the muzzle blast.
This gap is measurable and can be used to calculate the distance between the shooter and the recording device. The investigator recorded control samples in the desert, firing a .30-06 rifle, a .45 ACP handgun, and a carbine at various distances to capture these distinct audio signatures for comparison.
Methodology and Data Collection
The investigation employed a rigorous scientific approach. Three distinct camera angles from the day of the shooting were identified and geolocated relative to Kirk's position using Google Earth. These included a front camera positioned close to Kirk, a right rear camera about 20 feet to the right, and a distant elevated camera operated by the Utah Valley Review, the local campus news organization.
For each camera position, the investigator recorded precise measurements including distance, bearing, and elevation. Kirk's exact location and elevation were documented, as were the positions of the alleged shooter on the rooftop. Atmospheric conditions were critical to the analysis because they affect the speed of sound. Historical weather data from Weather Underground, captured by a sensor approximately four miles from the shooting location in Provo, provided temperature and relative humidity readings. Wind was not a significant factor at the time of the shooting, though it picked up later in the afternoon.
All of this data was compiled into a comprehensive ballistic spreadsheet that incorporated the Pythagorean theorem to calculate straight-line distances, adjusted the speed of sound based on atmospheric conditions, and compared observed audio gaps with expected gaps for different weapon types and distances.
Analyzing the Waveforms
Using audio editing software Audacity, the investigator examined the waveforms from each camera angle. The process involved identifying the initial supersonic crack, distinguishing it from the ground wave reflection (a secondary echo that often confuses amateur analysts), and then locating the actual muzzle blast. The time gap between the crack and the blast, measured in milliseconds, was recorded for each camera position.
When examining audio from a .45 ACP shot at 25 feet, there was no double pattern—just a single boom representing the muzzle blast and the bullet arriving nearly simultaneously, with no supersonic crack because the round is subsonic. By contrast, the audio from the day of Kirk's assassination clearly showed the two-part signature: the crack, the echo of the crack, and then the start of the muzzle blast. This pattern was consistent across all three camera positions.
The investigator also tested the theory of an exploding microphone by recording a contact shot with a .45 ACP. The resulting waveform showed one continuous blast wave with no double pattern or supersonic crack. Even a suppressed rifle shot from a distance, when the muzzle blast is too far away to be heard clearly, still produces the characteristic crack of a supersonic bullet. The evidence was unambiguous: the shot that killed Charlie Kirk was fired from a supersonic rifle, not a handgun or explosive device.
Testing Alternative Theories
The ballistic spreadsheet allowed for the modeling of multiple scenarios. The official narrative—a high-powered rifle fired from approximately 150 meters on a rooftop—was entered along with two alternative theories: a handgun fired from approximately 15 feet to Kirk's left, and a rifle shot from an elevated position in the bushes, closer and over the shoulder.
For the handgun scenario, using an assumed bullet velocity of 850 feet per second (typical for .45 ACP or .22 long rifle), the model produced no gap in the waveform, which is consistent with a subsonic round. This immediately ruled out the handgun theory because the observed audio clearly showed a supersonic signature. Even testing with a 9mm velocity of 1,125 to 1,200 feet per second produced results that did not match the observed data.
The closer-range rifle theory was more plausible but still failed the analysis. When the assumed bullet velocity of 2,625 feet per second (typical for a .30 caliber rifle like a .30-06) was applied to a closer shooting position, the expected waveform gaps did not align with the observed gaps from the cameras near Kirk. Only the distant Utah Valley University camera fell within the acceptable tolerance margin, while the two closer cameras produced a hard no—the observed gaps were too different from what would be expected for a closer shot.
Triangulation and Geolocation
The investigator plotted the estimated shot ranges from each camera position onto Google Earth, creating radius circles that represented the probable distance of the shooter from each microphone. Where these circles overlapped most tightly indicated the most likely source of the shot. The analysis revealed significant overlap in a region directly east of Kirk's position, aligning almost perfectly with the alleged shooter's rooftop location.
Alternative overlap areas were examined and ruled out. Some circles overlapped near other buildings, but line-of-sight analysis showed that intervening structures would have blocked any shot. A potential window or rooftop position was considered, but those locations fell too far inside the radius circles to match the triangulated data. The elevated position in the bushes, often cited in alternative theories, was similarly too close to fit the observed audio gaps.
The only location with significant overlap across all four calculated ranges was the rooftop where the official narrative places the shooter. The analysis concluded with 99% certainty that the shot was taken from this position.
Corroborating Evidence
Beyond the audio analysis, the investigator noted that the firearm was allegedly smuggled onto the site in parts, assembled on location, fired from the rooftop, and then exfiltrated and left in the woods as described in official reports. DNA evidence links the alleged suspect, Tyler Robinson, to the weapon and the scene. Photographic evidence places Robinson in a position consistent with the shooting timeline and location.
The forensic audio analysis, combined with this corroborating physical and forensic evidence, leaves no reasonable doubt that the bullet that killed Charlie Kirk originated from a high-powered rifle fired from the rooftop approximately 150 meters away, exactly as the official narrative states.
Transparency and Peer Review
The investigator has committed to full transparency, offering to share all data, audio samples, source video links, and Google Earth KMZ files via Google Drive. A live session was planned within 48 hours of the video's release to walk through the methodology and allow for peer review. The investigator invited viewers to check the work, play with the data, and draw their own conclusions. If interest warranted, a more polished commercial product was considered, but the priority was to disseminate accurate information and allow independent verification.
Support for the channel was offered through links on the channel landing page and QR codes, with plans to roll out a membership program that would provide exclusive access and allow supporters to help direct future investigations. The investigator clarified that this was not a full-time venture or a YouTube revenue scheme, but rather a personal pursuit to answer lingering questions and share findings with those interested in the truth.
Next Steps in the Investigation
With the audio analysis complete and the alternative theories discredited, the investigator planned to move forward with ballistics gel testing to determine whether a bullet could remain inside a body under the conditions of the shooting. This would provide further physical evidence to support or challenge aspects of the official account related to the bullet's terminal performance and wound characteristics.
Video Transcript
Ever since the news broke of the Charlie
Kirk assassination,
speculation has abounded as to whether
the official narrative that we're being
told that the shot was taken from some
140 yards away on top of a roof is
actually where that shot was taken from.
And there have been numerous theories
that have alleged that the shot came
from over the shoulder somewhere closer,
from a handgun over here or from the
infamous exploding microphone. There was
a story that ran almost immediately
after the shooting that actually the day
after CNN ran it and it just got buried
in the noise.
>> Audio analysis does capture a signature
crack and pop pattern in the video and
that says audio forensics expert Rob
Maher that it is a single supersonic
gunshot. Based on the time between that
crack and pop sound and an inferred
bullet speed, the firearm would have
been located about 150 m from where Kirk
was using that podium.
>> It was very interesting. You see, a
professor at Montana State University,
who is the leading expert in the
emerging field of forensic gunshot audio
analysis, published his findings almost
right away with just a little bit of
audio that he had to sample at the time.
And what he had concluded was that the
shot was from a high power, high
velocity rifle at a range of about 150
m. Well, I didn't even see this story. I
got it sent to me uh some weeks later
and I have spent the last week and a
half, two weeks just trying to go
through
some data and learning and understanding
forensic gunshot audio analysis because
I think with the videos that we have now
and the sound from those videos and the
locations relative to Mr. Kirk, we can
make some very very very
uh almost concrete assumptions or
inferences
on what really happened that day. And it
to me discounts a lot of the theory and
goes to point in the direction that the
official narrative we're being told
about the high-powered high velocity
rifle coming from where the government
tells us is probably true. So, without
any further ado, I'm just going to jump
right into it.
I have created a ballistic sheet on my
computer that will show my findings. I
have gone to the desert. I have taken
test shots with a 300 6 with a 45, both
handgun and a carbine to simulate
handgun shots
and shorter range, lower velocity rifle
shots.
And I've pulled all that sound data
together. And I've also taken three
distinct cameras that I was able to do
my best with Google Earth to geollocate
relative to Mr. Kirk and to where the
alleged shot has come from and work
through some analysis with the waveforms
to build out this table and give you
some conclusions. The first thing we got
to do is talk about what is gun forensic
gunshot audio analysis and how it works
and what we can tell just right off the
bat from some of the audio we have. Now,
the first thing we have to know is that
supersonic rifle shots and pistol shots
have a completely different sound
signature. Here's the problem. You see,
my overpriced piece of paper on the wall
says political science on it. I'm not a
sound guy. And as much as I tried, I I
couldn't get Dr. Maher to come on and
talk about all this stuff. He's a busy
man. He sent me an email with all of the
same things he sent to the media that
day when I asked him for some assistance
and guidance. So, I have the next best
thing, and that's my friend Chad
Pernicus Gip. He is a polymath who
specializes in whatever I ask him for
for the low rate of about $20 a month.
Can you explain the difference between
supersonic and subsonic rifle shots and
the audio signature that we hear?
>> Absolutely. So, the big difference
between a supersonic and a subsonic
rifle shot is all about the speed of the
bullet compared to the speed of sound. A
supersonic bullet is traveling faster
than sound, which means it creates a
shock wave or a sonic boom as it moves.
That sonic boom gives you a really sharp
crack in the audio signature. So if you
hear that kind of whip crack sound,
that's a clue that the bullet was
supersonic. On the other hand, a
subsonic bullet is traveling slower than
the speed of sound. So it doesn't
produce that same shock wave. Instead,
you get more of a softer muffled sound
because there's no sonic boom. So the
audio signature is really a lot quieter
and less distinct. And that's one of the
ways you can tell them apart just by
listening. Let's just start with what
I've tasked you with doing here uh in
this investigation so we could build out
the ballistic sheet that we're now
seeing on the screen.
>> Absolutely. So what you've brought me in
to do here is basically act as the
technical brain behind the scenes. You
had the big picture questions and the
overall investigative approach and I
helped you translate that into the math
and physics on the spreadsheet. So what
we did is you took all the known inputs,
things like the positions of the
cameras, the position of the target, and
the timing gaps in the audio waveform,
and we modeled all of that to figure out
what kind of bullet speed and distance
would match the data. In other words, my
role is to help you take all those raw
observations and turn them into a clear
conclusion about what kind of shot is
actually plausible. you understand
possibly the difference in these two
sound profiles. And what it that is
completely dependent on is your ability
to find the so-called gaps in the
waveform. And to do that, I've taken all
of these camera angles that we have seen
here. I'll I'll actually lay them out
for you here on screen. I've taken three
different cameras that are able to be
geollocated relative to Mr. Kirk's
position on that day. I've taken this
camera, a front camera. It's front and
offset from him a little bit, and it is
the closest camera I could find to his
location. Let's get handgun guy out of
there yet. We're not ready to introduce
him. I have found that camera. I have
placed it. I have gone through and taken
the measurements and the bearings as
best I can approximate to where Charlie
Kirk is sitting. I've also done this
with this right rear camera. It's kind
of a over here about 20 ft off to the
right. I've taken another camera that is
a further away camera and this will be
important when we go to try
triangulating things. This was one that
was taken by the Utah Valley Review, uh
the local campus news organization
and it is at a distance and at an
elevated position. And I plugged all
these in. I've put Mr. Kirk's location
in. I've put his elevation in. all these
other things. I've also taken our
assumed alleged shot position and
plugged all of those variables in and
you'll see that reflected in the sheet.
So, I also took my control the day I
went out and I shot everything. You see
those reflected across here
and I plugged all of those things in. I
took the ambient temperature, the
relative humidity, my elevations, the
target elevations, the known distances
and bearings that I was able to confirm.
This is going to be important because
this is the check or the uh control for
that. I've also taken uh basically Mr.
Kirk's all this same data and entered it
in into three different scenarios. The
official government narrative, the
handgun over here narrative, and the guy
from up above and to the right. Now,
you've seen where I've taken the
physical data. If you're questioning the
atmospherics that I put in here, I got
those from weather history that was
available to me in Provo off of Weather
Underground. Provo, this sensor was
approximately 4 miles away from where
the shooting occurred that day. What I'm
able to get ah here, here's our daily
observations from 11:56. Okay, I split
the difference here for the temperature,
use the relative humidity.
We know that the wind was not kicking up
there. People have said it's windy. It
was windy that day. The wind didn't come
into factor until about 3 p.m. Before
that, it was relatively calm and it
wasn't gusty. Okay. All these variables
are important because they affect what
the speed of sound is at any different
time. The normal speed of sound is about
1150 ft per second. But atmospherics
play a a big part in that. And that is
important when you start measuring the
two gaps in the sonic boom that you
first hear and the muzzle velocity that
falls behind it. Bullets traveling near
or below the speed of sound, they just
don't have that crack. 45 ACP 22 long
rifle and even 9mm, which is technically
supersonic, is barely supersonic. Rifle
bullets, however, have a much bigger
gap. They are generally traveling at two
times the speed of sound. So that
increases the amount of gap that you'll
see in between those two numbers. And
when you go to look at the waveforms,
let's let's go look at at one of these
waveforms from one of my controls. Now,
if you pull it over into the waveform
analysis, it's a little bit clearer, but
you see an initial
boom. Okay, that is the supersonic shock
wave reaching the camera. This here.
Now, a lot of people get confused when
they do this analysis because they think
this next portion of sound is actually
the muzzle blast from the gun, and it's
not necessarily the case. That is
actually a groundwave reflection from
that same supersonic crack hitting some
other point and coming back to the
microphone. The actual blast is more
nuanced. The muzzle blast is more
nuanced and it usually trails this
secondary thing. You've got to really
dig into the waveforms to find it. But
for my sample gunshot, it was back here.
See, you hear crack followed by another
crack and then the boom.
[Music]
Okay. What you do in this forensic
analysis part of it is you measure the
point from when you first hear the crack
to the boom. And I do this in Audacity.
Basically what I do is I come along. I
find where the crack starts. I write
down the number down below for the
millisecond.
Then I go back to the second boom or the
muzzle blast boom. Take that number,
subtract the initial number for it, and
you get what is called the waveform gap.
Now, if you want to look at something
like a 45 shot from 25 ft away, you
don't see that. You have one boom.
There's no supersonic crack involved in
this. It's just boom from the muzzle
blast and maybe the bullet arriving at
the same time because they're so close
and so tight together. Although again, a
45 bullet subsonic, it doesn't have that
crack. So, it clearly tells you this is
not a supersonic bullet. Now, if you go
to some samples from the day of, let's
look at that the right angle immediately
to Mr. Kirk's right. You see two
different signatures here.
You got the crack, the echo of the
crack, and then the start of the muzzle
blast in here.
So, uh, let's look at another one.
Here's the front wave. This one's a
little bit more nuanced, but you have
the crack, the reflection of the crack,
then the muzzle blast. Boom.
And then you have some lady screaming
very immediately after that. But what
you see in here too is there's a lot of
noise that happens. So if you uh you can
do two things. You can pass this through
the filter or you can use an estimating
tool. I'll show you here in a little
bit. But these clearly
don't look like a handgun signature.
Now, if you want to talk about the
muzzle or the blast from a c microphone
with a bomb in it, well, I took a 45 ACP
contact shot. I basically walked up to
something and shot it
again. In this, you don't see a double
pattern supersonic crack. You have one
continuous blast wave.
again.
Another shot.
This piece of evidence right here
completely rules out any other narrative
other than a supersonic rifle shot. Oh.
Oh. Oh. A suppressed rifle from
distance. I got a sample for you here,
too. We can do that. I took a long range
shot with my 45 uh in a 16inch Ruger LC
carbine. You probably aren't going to
hear the muzzle blast because I was so
far away. And here's what that sounds
like with the muzzle blast removed.
You just got the bullet skipping off of
something.
So that that evidence right there
clearly shows that this had to be a
supersonic rifle bullet. Just no way
around it. So, all of our inferences
from here on out are going to use
velocities that assume uh an average of
known supersonic rifle bullets and
especially around that 30 caliber mark
because again we're being told is a 300
6. We'll go with that. And that number
is one that Dr. Maher used in his
calculations which is approximately
2,625
ft per second. We've put our inputs in.
I measured them right. We had all the
everything before. We have the
elevations of the microphones. I pulled
all of that out of Google Earth. We've
used bearings from the microphones to
the target so we can get an sense of
angle. And we've also taken those
observed gaps that I just showed you how
I got to and plugged them in there. And
I've used a gap tolerance of five
seconds and and a distance tolerance of
uh 25 ft. Hold on a second here.
Hey Chat Pernicus, on the inputs page,
the gap tolerance entries of the 0.05
seconds and the distance tolerance of 25
ft. What do those have to do with
anything?
>> Great question. So those tolerance
entries are basically the little margins
we allow ourselves when we're matching
up the modeled scenario to the real
world data. In other words, the gap
tolerance of 0.05 05 seconds means we're
saying, hey, if our predicted timing is
off by just a tiny fraction of a second,
like 0.05 seconds, we're still going to
consider that a good match. It's just a
way to handle the tiny variations that
are going to happen in the real world.
Same idea with the distance tolerance of
25 ft. We're saying if the calculated
range is within 25 ft of the real world
position, we treat it as close enough to
be a match.
>> That's what you're seeing there on the
page. Now that gives us a data of known
inferences.
It uses good old Pythagorean theorem
using the horizontal range, the known
elevation distances
to then create a straight line distance
from the microphone relative to the
target. It is also adjusted the speed of
sound based on the atmospherics we've
put in to further go into the
calculations. So now we can start
introducing some assumptions and for
that we go to the next page. Okay. What
you're going to see here in assumptions
four through six are the official
narrative. And what we've done for that
is we have put in the assumed shot
target distance. I've went to Google
Earth and I have measured the distance
between
the shooter and all of these different
cameras and taken into account the
elevation distance. If you see in the
lower right, we've got an elevation on
the roof of 4668. The UVU camera
elevations at like 4622 and the ground
level calculations from the other two
cameras are at 4596. Now, I'm aware that
the cameras are held at a little bit of
a different height than what the ground
level there is, but um I'm just going to
use that because it's constant and I
don't uh really know how much higher or
lower. Okay, that's just what we're
going to roll with. The margin for error
in this, like we said, we've introduced
is to take into some of that account.
So, we've also uh factored in the uh
microphone bearing degree from the
alleged shooting spot to the microphones
that are picking it up on each of those
cameras.
This is where all of the calculations
that I don't understand and Mr. Chad
Pernicus could clarify for us.
>> Absolutely. So on that assumption sheet
in those columns what you're seeing is
basically the breakdown of coordinates
and distances that we use to figure out
exactly where everything is in relation
to each other. So for example the mic x
feet and mic y feet are just the
coordinates of the microphone or camera
in feet on a kind of grid. And the
shooter x and shooter y feet are the
coordinates of the shooter. Then when
you see something like dx or dy, that's
just the difference between the
shooter's coordinate and the
microphone's coordinate in the x or y
direction. Basically, it's a way to
measure how far apart they are
horizontally and vertically. And from
that, we can calculate the straight line
distance between them.
>> Okay. So that that's what you see on
column P then.
>> Exactly. You've got it. So in column P,
you're basically seeing that final
calculated distance between the shooter
and the microphone.
>> Thank you.
>> It's the
All right. So that goes through. Then it
gives us the elevational distances, the
shot distance
uh
from the straight line distance from the
shot to the microphone and then computes
the speed of sound, the lateral offsets.
And because we plugged in that sample
velocity, it also gives us an expected
gap. what that gap should be with that
velocity and that particular set of
atmospheric conditions and elevation.
And what that does then is we put in our
observed gap and it can give us how far
off the distances in those gaps
and we can then look at that to see if
those uh distances are within the
tolerance when we go ahead and further
evaluate our assumptions. Now, I've
entered in um the assumption
of the handgun situation with this guy
to Mr. Kirk's left.
And I've also entered in another
assumption based on somebody being up on
this ledge here
in the bushes taking the shot over the
shoulder. This also kind of would be a
analog to some shooting here or
something behind. And you see those
reflected here. We got the assumed shot
distance of 15 ft for the handgun guy.
Uh 115 for the roof.
And um the associated bearings with that
assumed bullet velocity. I used 850 for
a handgun for uh a 45 or a 22 long
rifle. um we could plug in what 1125
1175 1200 for a 9mm but we're still
going to get the same result. What
happens here is that then spits out an
NA because there is no gap in a subsonic
round which we again can toss this right
out if you want. And what the expected
gap using the assumption of 2526 for the
velocity would be for the expected gap
of a closer in shot at that same range.
And what you see is when you compare it
to the observed gaps,
the gap differences are quite more
substantial for something that is in
closer. It just doesn't fit right. We
can take that further
with a consolidated assumption sheet.
This cleans it up. I made two assumption
sheets. One, the handgun thing is right
out, but we'll compare this with a
closer range rifle shot. Now, this uh
calculator here does some things that
are pretty cool. Uh factors in the
assumed shot to the target, the assumed
bearing of the shot, which is what I've
entered in in my previous sheets, and
again that assumed number.
We're seeing some things repeated here
with the bearings and the elevations.
Those are again things that I've put in
as inputs.
It also has modeled the mock angle
degree and I'll get an a quick
explanation of the mock angle degree for
you here. Chat perernicus.
>> So the mock angle is basically the angle
of the shock wave that a supersonic
bullet creates as it travels through the
air. It's just like how a boat moving
through water creates a wake and the
angle of that wake depends on how fast
the boat is going. If you're standing on
the shore, the speed of the boat affects
when and at what angle that make reaches
you. So, in the same way, the bullet
speed affects the angle of the mock
cone. And when that sonic boom reaches
the microphones,
>> once you plug in that mock angle, it
then comes out with the variable of is
this within the tolerance or not? And
from what we're seeing, it's yes, this
fits those expected tolerances. The
other thing that this sheet specifically
does is it comes out with an estimated
range from the microphone and an
estimated range from Mr. Kirk by pulling
all of those calculations together. Now,
a shorter range rifle assumption using
the same variables.
You got your distance blah blah blah
blah blah blah blah.
Only one of those cameras was within
tolerance, and that was the one that was
the Utah Valley University camera, which
was much further away from Mr. Kirk. The
cameras that were close to Mr. Kirk both
have that tolerance as a no. A very hard
no because our observed gap was that
much different from what it was expected
to have been assuming the muzzle
velocity of the rifle or the velocity of
the bullet being at 2625. I've taken our
officials uh assumption data that we
have entered
and I've gone through and I've laid that
into Google Earth for you. Let's first
take the radius from the front right
camera. Then we take the measurement
from the rear right camera and then the
UVU camera shot radius. And you see
wherever these are going to overlap the
tightest is where your most likely
source of the shot came from. And from
what I'm seeing here, it's almost
certainly to the uh well, it's east of
Mr. Kirk. And it aligns very nicely with
where our alleged shooter location is.
Also, I'm going to give you that average
shot from target that it estimated. So,
you have four circles that overlap in
this general region. Now, yes, there are
some over overlap other overlaps. And
let's take a look at that. You have this
region through here. Well, if you get
down to it, the ground level below this,
you clearly don't have a shot because
there's a building in the way. Even if
you were on this building here, you
still have that roof on in the way of
your shot.
see it. Okay. Um, if you wanted to say
maybe the shot came from this window
over here because you have a lot of
overlap or this roof, you've got this
whole building here in the way. And if
you were to say it came from this roof
instead, well, you're well within that
circle. Same thing for a shot up here
from the guy in the bushes. He's just
too far inside of these circles to have
taken that shot. And again, from the
back,
you could say that maybe if we went off
of just the UVU camera, it could have
been possible, but these other three
lines that are pulling range just don't
add up.
The only feasible place where there is
significant overlap in these shots
is from where we're told the shot was
taken. And to me, that pretty much
solves any kind of dispute as to whether
or not the shot was taken from a
different location or taken with a
different caliber weapon. None of this
works out with anything else because at
this point in time, I am now
99% certain that the gun that shot Mr.
Kirk was smuggled in the way we said it
they said it was. It was assembled on
site. It took a shot from the place and
location and distance that we were told
it was and it was exfiltrated and left
in the woods in the manner that we were
told it was. We have DNA evidence that
corroborates the alleged suspect to the
shooter. We have photographic evidence
of the shooter in ways that make perfect
sense with this narrative.
There is no doubt in my mind that the
alleged suspect, Tyler Robinson, could
have done all of the things he is
alleged to have done to make this shot.
And in fact, this evidence especially
now proves that the bullet that killed
Charlie Kirk could not have come from
anywhere else than this rooftop.
Okay, I shot Manding for this and I
didn't like it. So, I'm just coming back
right now after I finished the edit and
talking to you here. Uh, I will give you
links to all of the data that I've used.
I'll just file it off onto a Google
Drive and you can go grab it. I'll give
you my audio samples of the test shots
I've taken and the links to the source
videos I've used and also the KMZ pins
that you see populated inside of that
Google Earth uh map. And you can go
check my work. I I would love for you to
peer review me and make sure what I'm
saying is true. And also, if you don't
really understand it, you can play with
it and get a better understanding of it.
And I will set up a live here in the
next 48 hours or so to go over exactly
how I plotted all this in. And if you're
watching this way in the future, I'll
put a link to that once it's complete
down in the description below. If
there's interest in this particular
little niche that we're doing here, well
then I'll invest the time and the effort
to go through and make a more polished
product that could be commercially
available. But right now, I think it's
just more uh important to get the
information out there and let people
make up their own mind by doing their
own work. Also, uh people have asked how
they can materially support the channel.
Uh this isn't a full-time venture for
me. I've never intended for it to be a
full-time venture. I just wanted to go
answer some questions that I had and
bring you along. And if you want to see
that continue, uh I would be absolutely
grateful if you wanted to support that.
But uh I have no interest in just making
video after video after video to try to
generate YouTube AdSense revenue. I have
other things to do with my time and
other ways I make my money. This isn't
it.
That being said, if you'd like to
contribute, I have put links on my
channel landing page you can go to. I'll
also give you a couple of QRS here for a
minute and uh you can contribute that
way. I'm also going to roll out a
membership program um just a small
nominal number, but what I will
eventually do with that number is give
you some more exclusive access and help
me direct where I'm going to focus my
time and energy on investigating this
sort of thing. So, you will get some
value for what you put into it. Uh,
other than that, I got nothing else. I
have to go move on now. It's time to go
get some ballistics gel made and start
seeing if we can get a bullet to stay
inside a body. So until then, have a
great