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Charlie Kirk is the Founder and President of Turning Point USA, the largest and fastest growing conservative youth activist organization in the country with over 250,000 student members, over 150 full-time staff, and a presence on over 2,000 high school and college campuses nationwide. Charlie is also the Chairman of Students for Trump, which aims to activate one million new college voters on campuses in battleground states in the lead up to the 2020 presidential election. His social media reaches over 100 million people per month and according to Axios, he is one of the "top 10 most engaged" Twitter handles in the world. He is also the host of “The Charlie Kirk Show,” which regularly ranks among the top news shows on Apple podcast charts.
Charlie Kirk and Jack Posobiec Expose Disney's Snow White Disaster and Cultural Vandalism at Its Peak
Charlie Kirk and Jack Posobiec dissect the catastrophic failure of Disney's live-action Snow White remake, a film made at the height of wokeness but released in the Trump era to widespread rejection. With a $270 million production budget and another $100+ million in marketing, the film opened to a dismal $43 million, one of the weakest openings for any Disney live-action film. The controversy centers on actress Rachel Zegler's inflammatory anti-Trump comments and narcissistic behavior that Disney couldn't control, despite sending social media managers and producers to intervene. Kirk and Posobiec argue this represents cultural terrorism against Walt Disney's legacy, a beloved classic completely reimagined as a woke uprising against a "white fascist queen." They warn that Netflix's upcoming Narnia adaptation, handed to Barbie director Greta Gerwig, could be next on the chopping block of cultural degradation.
The Catastrophic Failure of Disney's Snow White Remake
The story of Disney's Snow White remake has become a cautionary tale of cultural vandalism and corporate catastrophe. What was supposed to be a reimagining of one of Disney's most beloved classics has turned into one of the studio's most embarrassing failures. Made at the height of wokeness but delayed due to COVID and Hollywood strikes, this film is now being released in the Trump era—and audiences are rejecting it completely.
The numbers tell a devastating story: with a production budget of $270 million and over $100 million spent on marketing, Snow White opened to just $43 million at the box office. It stands as one of the weakest openings of any Disney live-action film and has received some of the worst cinema scores and Rotten Tomatoes reviews for any Disney production. The cultural mood has shifted, and audiences are no longer tolerating what many see as deliberate destruction of beloved stories.
Rachel Zegler's Controversial Behavior
At the center of the controversy is actress Rachel Zegler, whose casting and behavior have sparked outrage. Beyond the casting choice itself—which many argue contradicts the very essence of the Snow White character whose "skin is white as snow"—Zegler's public statements have been deeply divisive. She has made inflammatory comments targeting President Trump and his supporters, including posting on election day: "F Trump supporters, F Donald Trump, F Trump supporters, and I hope they know no peace."
According to Variety's extensive reporting, Disney attempted multiple interventions to control the damage. They sent social media managers to Rachel Zegler to approve her posts before publication. They dispatched multiple producers to speak with her. None of it worked. Zegler completely disregarded their advice and continued her controversial public statements, demonstrating a level of narcissism that has potentially cost hundreds of jobs committed to this project and future endeavors.
Complete Story Reimagining and Cultural Terrorism
The film doesn't just fail at the box office—it represents what critics call cultural terrorism against a cherished American classic. The story has been completely rewritten: Snow White is no longer saved by the prince or dreaming about true love. Instead, she leads an uprising against a "white fascist queen" played by Gal Gadot. Zegler herself described the changes, saying the 1937 original was "extremely dated when it comes to the ideas of women being in roles of power" and criticized the prince as someone "who literally stalks her."
This meta-narrative became even more complicated by the real-world politics of the two lead actresses. Gal Gadot, who served in the IDF, has been vocally pro-Israel, speaking about hostages and victims of October 7th. Rachel Zegler, meanwhile, has been vocally pro-Palestine. These tensions added another layer of controversy to an already troubled production.
Betrayal of Walt Disney's Legacy
Perhaps the most profound criticism is that this represents Disney hating itself and desecrating its own founder's legacy. Snow White was Walt Disney's first real movie—the film that built Disneyland and established the Disney empire. It was a project Walt Disney obsessed over during his lifetime, pouring his creative vision into what would become an American cultural touchstone.
To take that beloved story and transform it into something unrecognizable is seen by many as spitting in Walt Disney's face. The comparison was made to how inappropriate it would be if Disney made Mulan "super white" or "super Caucasian"—taking something culturally specific and forcing it into a different mold. The level of cultural and historical disrespect has led some to suggest there should be shareholder lawsuits over violation of fiduciary duty.
Walt Disney's True Legacy: American Patriotism
The controversy has also brought attention to frequent smears against Walt Disney himself. It has become common for people online and in media to casually claim he was anti-Semitic or racist, despite no substantial evidence. In reality, many of Disney's top animators had Jewish backgrounds, and Walt Disney was a genuine American patriot.
During World War II, Disney immediately committed the studio to supporting the war effort "in our odd way." The studio produced propaganda films—including one where Donald Duck lives in Nazi Germany—and even created animated training films teaching soldiers how to aim anti-aircraft guns. Walt Disney also had plans for an Americana theme park in Virginia that would have celebrated different periods of American history, but it was shut down due to concerns about developing near Manassas Civil War battlefield.
The Cultural Shift and What's Next
The failure of Snow White represents more than just one bad film—it signals a fundamental shift in American culture. The worm has turned. People are sick of cultural degradation and the destruction of beloved stories. The mood of the country has changed, and audiences are no longer accepting this type of content.
But the fight isn't over. The next major concern is Netflix's upcoming Narnia adaptation, which has been handed to Greta Gerwig, director of the hyper-feminist, anti-male film Barbie. Gerwig was also at one point a co-writer on the new Snow White. The fear is that C.S. Lewis's beloved Christian allegory will receive similar treatment—reimagined and degraded beyond recognition.
The Cost of Narcissism
Beyond the cultural implications, there's a human cost to this disaster. Union workers, skilled craftspeople, and dozens if not hundreds of people committed their time and talent to this project. Future projects have now been canceled or vanquished because of one person's narcissistic behavior. This type of situation is pushing more union workers toward conservative politics, as they see firsthand how ideology-driven narcissism destroys livelihoods.
The advice given is simple but important: avoid people who talk and act like Rachel Zegler. The energy, the vibe, the approach—it's a complete red flag. When someone displays that level of narcissism and disregard for others, run away.
Disney will lose hundreds of millions of dollars on this film. They need to break approximately $400 million just to break even, and that seems increasingly unlikely. The question now is whether Disney and other studios will learn from this catastrophic failure, or whether more beloved stories will be sacrificed on the altar of woke ideology.
