Joshua Ritter and Greg Hartley Analyze Lance Twiggs' Body Language in the Tyler Robinson Murder Case

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Joshua Ritter and Greg Hartley Analyze Lance Twiggs' Body Language in the Tyler Robinson Murder Case

Joshua Ritter sits down with body language expert Greg Hartley to examine the interview of Lance Twiggs, the key witness in the Tyler Robinson preliminary hearing for the murder of Charlie Kirk. Hartley, a former US Army interrogator and member of The Behavior Panel, breaks down Twiggs' subtle cues, eye movements, and verbal patterns to reveal what the witness may have been communicating beyond his words. From baseline behavior to critical deviations during questioning about September 11th and Charlie Kirk discussions, this analysis uncovers the hidden layers of testimony that could prove pivotal at trial. Ritter and Hartley also discuss the Caleb Flynn case, where a former American Idol contestant faces murder charges for allegedly killing his wife, and examine the controversial 911 call that raised investigators' suspicions.

Categories: Investigation
July 14, 2026

Breaking Down the Lance Twiggs Interview

Joshua Ritter, former prosecutor with the LA District Attorney's Office, welcomed body language expert Greg Hartley to examine the centerpiece of evidence from the Tyler Robinson preliminary hearing: the recorded interview of Lance Twiggs, Robinson's roommate and romantic partner. The interview, conducted remotely with Twiggs appearing alongside his attorneys, lasted approximately 40 minutes, with only 20 minutes shown in court after redactions.

Hartley's first impression was striking. "This guy looks like he's either medicated or something going on because he's not moving," Hartley observed. "He's not moving. Which is usually a good indicator something's going on in his head, some stress." The expert emphasized that establishing a baseline is fundamental to body language analysis, noting that Twiggs maintained remarkable consistency throughout most of the interview, dressed in a suit and tie, sitting square and nearly motionless.

"When we look at body language, there's no magic. This is the most mundane and boring chore you'll ever do in your life, because it's repetition, repetition, repetition," Hartley explained. "You look for change. And what we're looking for is the person's mouth, their brain, and their body to all say the same thing."

The Compounding Pressure of Testimony

Ritter pointed out that Twiggs was testifying under a grant of immunity, meaning his participation was compelled. "He doesn't want to do this, right? He doesn't want anything to do with any of this, but they're telling him, 'Yeah, you've got a Fifth Amendment right. We're giving you immunity, and you're going to have to sit down and talk with us, or things could get very hairy for you very quickly.'"

Hartley acknowledged the immense pressure: "The tape playing in the background is, 'Don't screw this up and go to jail.' That's the tape playing. It would be for me, and I'm 65, you know, 64. So, if you're 24, think about how powerful that is."

The expert explained the physiological responses to such stress: "When we were young, we used to say two things. Fight or flight is when we define the sympathetic nervous system kicks in and dumps all these hormones in your system to get you out of trouble, whether it's verbally or physically or whatever. But then the parasympathetic breaks that and slows you down. There are four responses that we typically think of. We used to say fight or flight, now we say fight, flight, freeze, or fawn."

The September 11th Conversation: A Critical Deviation

Hartley identified two major anomalies in Twiggs' otherwise consistent baseline behavior. The first occurred when discussing the conversation with Robinson the day after the murder. When asked if Robinson talked about what he had done, Twiggs responded: "Didn't go into detail. He just I just asked him in person if what he said was true the night before, and he said it was. He started crying a little bit and said he wishes he hadn't done it. And then kept going around and just doing stuff, I think, to keep himself busy or distracted or something."

Hartley's analysis was revealing: "If you go back and you were to watch when they're asking him factual questions we know the answers to, you'll watch as he's recalling information about visual things, his eyes go up and to his left. I'm going to talk to you about eye movement because it's the most under utilized and most over demonized thing there is because people don't know what the hell they're doing."

During this particular response, Hartley noted significant changes: "When he's talking about the day before, when Tyler left on the 10th, he is rifling through his visual memory for what time of the day it was. His eyes go to places for information. Now, he's asking him a question, his eyes drop. They drop down into this emotional state, down into your rights where people go when they're thinking of emotion."

The expert continued: "He's pretty fluid in his speech patterns. We don't hear a lot of cadence halting. But when we ask these questions, he starts to halt. His cadence starts uh uh and he says um for the first time. He's in those internal voice and those things. It makes him look like he's not sure what to say, where to say it, and how to be careful."

Time Hiding and Missing Details

Ritter observed that Twiggs' response seemed minimized from the start: "His first words out of his mouth were he didn't go into detail. Like he already is setting up the I'm not going to give you much out of this."

Hartley agreed, pointing to a common deception technique: "I think anytime you get a guy here and you can see he's answering there's no narrative. Part of what your job is preparing this guy for is not to give a narrative, right? Answer the questions. Don't give a narrative. And he's avoiding narrative at all costs."

The expert identified what he called "time hiding": "When he says, 'I said bye to him and then he drove off.' And then he drove off. That's a time hiding spot. When I said bye to him, there's probably a lot of squabbling, a lot of fighting and arguing. Might even be some physical fighting going on. There's a lot of emotion that is not talked about here."

Hartley emphasized the significance of these verbal bridges: "They use 'and then' and they're out of it. That's the way people hide time, the way they hide information. And the good interrogator, good investigator, good attorney is going to say, 'Hold on. That and then, let's talk about that.'"

The Charlie Kirk Question: The Biggest Red Flag

The second major anomaly occurred when Twiggs was asked about political discussions and specifically about Charlie Kirk. When asked if they ever talked about politics, Twiggs responded: "He did more than we. I didn't really still don't really keep up with politics very much. He usually talked about stuff he heard on the radio on his drive to work in like their work cars."

When directly asked about Charlie Kirk, Twiggs stated: "I personally have never heard him talk about Charlie Kirk before specifically."

Hartley's analysis was damning: "When he gets asked about Charlie Kirk, watch his eyes go down into that emotional and internal voice. More importantly, watch that jaw move. Lip compression is withheld information. When a person does this, think of Anthony Weiner, Bill Clinton, every guy who's ever been in real trouble. It's contained emotion or contained information immediately after Kirk. It would not matter, but it's an orphan in the entire video. It's the only time we see him do it."

The expert continued: "Then, he withdraws his lips in his mouth. We typically associate that with needing some kind of support or belief or that kind of thing. There's two others. When he's asked about did you talk about, he does a pronoun shift. He goes to the other guy very quickly. He didn't say, 'No, we didn't talk.' He and he qualified by saying, 'Not really.' So, there's a lot of distancing from the facts."

Pronoun Analysis and Distancing Language

Ritter picked up on subtle linguistic patterns: "I noticed he's being asked did Robinson ever talk about politics? Did Robinson ever talk about Charlie Kirk? He's asking, 'What is Tyler doing?' But his answers immediately start to describe his own involvement first. Like his first thing is he did more than me. Did he ever talk about politics? He did more than me. It wasn't a topic I contributed to much. I personally never heard him talk about Charlie Kirk. It's like the question called for Tyler Robinson, but the answer gave Lance Twiggs."

Hartley noted an additional distancing technique: "With one exception, when they asked him, 'Did you talk about this?' Meaning collectively, he said, 'He.' Boom, he pushed it right back off. So, he's I call that, you know, if you think about burlesque in the old days where they would use these fans to cover I always call that fan dancing. They're covering up things and making you think there's something to see."

The body language expert concluded: "If I were interrogating somebody in the same situation, I would brush aside all the rest of stuff and I'd focus on two areas. The one is the night when he came home and they talked about this because there's a boatload of details buried in that, guaranteed. And then this one about their political discussions, I would tear them apart about that because this one has more evasive body language than anything else we saw."

The Dremel Tool Discussion

Another area of questionable credibility emerged when Twiggs discussed the Dremel tool used to engrave the bullets. Twiggs claimed Robinson asked for it about a month before the shooting, saying it was to inscribe bullets, and that his family was going on a hunting trip.

Hartley observed: "They talked about the Dremel twice in a 20-minute interview, which is a little interesting, which means it's an important part of the case, I would imagine. His blink rate does increase a bit when they start talking about the Dremel. Remember we talked about stress causing blink rate increases often. So we look for that and then when he's done saying, 'Yeah, I told him where it was at,' we see him emotionally eye access down to the right again. There's feelings in this guy."

The expert questioned the lack of follow-up: "What are you hunting that you need to write on bullets? That's would be my next question. I'd ask a ton of questions around that."

Implications for Trial Testimony

Both Ritter and Hartley expressed concerns about how Twiggs might perform under cross-examination at trial. Ritter noted: "I do believe they're probably going very light on him. They're going to put him on as a witness. Should they be concerned how he responds to the defense?"

Hartley responded: "If you've got a good enough attorney to go hammer him and really follow up and get all the details, yeah, you should be concerned because the problem is when they get down to the mechanics of this and they start attacking him, I don't know he's going to stand up to that as well as he stood up to this guy. So, some preparation, for sure, is necessary for him to be able to stand up to that cross-examination."

The expert noted a research-based concern: "Studies show that when a person's being honest, they move their hands as they talk. They use the illustrator body. There's a guy named Aldert Vrij out of the UK who did study that showed significant correlation between movement and speaking and truthfulness. And there's no indicator of a lie, but there's plenty of indicators that something's not right."

Tyler Robinson's Courtroom Behavior

Ritter shared observations from courtroom attendees about Robinson's demeanor during the preliminary hearing: "Two points where he started to kind of seem like he was struggling. One was in the discussion of the bullets and the etchings that were put on the bullets. And the other was when in the discussion about the rifle being his grandfather's rifle."

Hartley explained the significance: "When people press their face, that's stress relief. There's nerves in your face that relax when you press and that kind of thing. So, what we're looking for when a person gets agitated is release of nervous energy. That ties it pretty tightly to you. And when I watch him talk about using a Dremel tool to engrave bullets, well, that ties it pretty tightly to you. So, that might be two of the most damning things anybody could prove."

The Caleb Flynn Case: A Suspicious 911 Call

Shifting focus, Ritter discussed another case gaining attention: Caleb Flynn, a former American Idol contestant and worship pastor accused of shooting his wife Ashley Flynn on February 16, 2026, just two days after Valentine's Day.

The 911 call raised immediate red flags. Flynn reported: "Oh my god. Somebody broke into my home. They shot my wife... My wife is she's got two shots to her head."

Ritter questioned this detail: "That's the part that a lot of people have pointed towards. She's got two shots to her head. How in the panic of this moment doesn't know if the man is still in the home, doesn't know if his children could be in danger by the way, he's got two daughters ages 9 and 12 at the time doesn't know where they're at, doesn't know how he got into the home. All of this chaos going around this man's life in this moment. And he had the wherewithal to inspect her head. To go, she's got two bullet holes to the head."

Hartley, still monitoring the show, sent a message through production: "If someone is telling a story, they're creating an alibi."

The Battle Over Child Witnesses

A significant pretrial issue emerged in the Flynn case regarding the testimony of his two young daughters, who were allegedly asleep during the murder. Prosecutors requested protective measures including a screen to prevent the children from seeing the defendant, the public, or both during testimony.

The defense objected, citing constitutional confrontation rights. Judge Janine Pratt sided with the defense, ruling: "There has been no showing that testifying in the presence of the defendant would cause trauma, impair the child's ability to communicate, or otherwise justify deviation from standard confrontation procedures. The absence of any evidentiary basis for such findings is fatal to the state's motion."

Ritter interpreted the ruling: "I think the judge is saying here, 'You didn't put it on the record.' Prosecutors, you can't just say we want this because we think it would be great. You have to say, 'They've spoken to psychologists and the therapists say that these children in particular are very triggered by the discussion of their father, being in the same room as their father, seeing their father, discussing the events of that evening.' You got to put something in front of the judge. Otherwise, you're making the judge make a call. And by the way, this would be some sort of restriction of his right to confront witnesses against him. It's a constitutional right. That could create an appealable issue."

The Flynn trial is scheduled to begin September 17, 2026, representing a remarkably fast timeline from the February murder to trial just seven months compared to the Tyler Robinson case, which took ten months just to reach the preliminary hearing stage.

Looking Ahead to the Robinson Trial

Hartley emphasized the importance of establishing baseline behavior: "Baseline is everything. You got to start with a baseline. And what I always say is it's not baseline of you sitting at home eating Cheetos on the couch. It's the baseline for the situation you're in and then we look for deviation."

Regarding Twiggs' potential trial testimony, Hartley warned: "The problem is I think you said it earlier, they're going to rely on a lot of evidence that he can prove things like off of his cell phone. But when they get down to those facts, when they get down to the mechanics of this and they start attacking him, you're going to start to see leakage. He's contained. He's got good attorneys who are going to tell him to sit there and hold his hands and everything in place. But the problem is studies show that when a person's being honest, they move their hands as they talk."

The expert concluded with a warning for cross-examination: "I always say I made a living out of finding nice little cracks in a pearl and breaking it open. You've got to be aggressive or the other analogy I would use is like taking an ice pick to a guy in armor looking for a hole. Once you find it, it's ugly. And that's what you find with people often."

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