ERIKA KIRK: Pathological Liar & Con

[00:02] What makes Erica Kirk

[00:06] deadlier than anything we've ever seen

[00:09] in the the pantheon or in the stage of

[00:12] of macandity or pathological uh

[00:17] performance duplicity, whatever you want

[00:19] to call it. What makes her different is

[00:23] that she is at the top of the food chain

[00:26] of of dangerous and that is the

[00:29] pathological liar. But the con,

[00:35] the 24hour

[00:37] con, let me explain. In the course of

[00:41] your life, you will meet a variety of

[00:43] people, liars.

[00:47] Um, you probably will not meet a real

[00:50] bonafide psychopath or even sociopath.

[00:53] You really won't. They're far rarer than

[00:57] you can imagine. And they don't normally

[01:00] exhibit or manifest themselves the way

[01:02] you would think they would. They're

[01:04] they're they're not they're not as bad

[01:06] necessarily as you might think. And

[01:08] sometimes they're admirable. Sometimes

[01:10] the traits that we see in others are

[01:12] actually

[01:14] veiled,

[01:15] if you will, psychopathy

[01:19] um iterations. We'll get to that. So,

[01:21] we've got the liar, we've got the

[01:22] psychopath a little bit,

[01:26] but at the top of the game

[01:29] is the pathological

[01:32] liar who never stops.

[01:36] The con will lie if he has to. The con

[01:40] would rather not. The the con would

[01:42] rather win you over. The con does not

[01:45] want to lie. The con wants to use it

[01:48] sparingly because in order to gain your

[01:49] confidence, you he can't he or she can't

[01:52] be caught in the lie. They're not into

[01:54] lying. They do it reluctantly. When it

[01:57] comes to the big matters, they sell you

[01:59] something that's fake, but other than

[02:01] that,

[02:04] you know, they may pretend they know

[02:06] about watches or jewelry, but that's as

[02:08] much of the performance as you get. The

[02:12] con, the performance con, the Erica Kirk

[02:17] is is the rarest of the rare and

[02:20] absolutely dangerous.

[02:22] Let me explain a few things and let me

[02:25] beg your forgiveness because I'm going

[02:27] to jump all over the place. Do not

[02:29] expect any cogent

[02:33] exposition or exugesus so to speak on on

[02:38] the subject of the con. First,

[02:41] let's talk about some people you don't

[02:43] like. Well, let me rephrase it. People I

[02:45] don't like. I think politically. Robert

[02:46] Dairo, the late Robert or Robert Rob

[02:50] Reiner. Sorry, it's tragic that he died,

[02:51] but when he was spewing this political

[02:54] nonsense, it was horrible. Uh,

[02:57] AOC,

[02:58] um,

[03:01] Jasmine Crockett,

[03:04] you know what I mean? Okay,

[03:07] but let's take Robert Jiro.

[03:11] Robert Dairo

[03:13] was not a con. He He wasn't They say

[03:16] he's a great actor. I I don't think so,

[03:18] but he wasn't a con. He was just bad. He

[03:22] was he was trying to fulfill his role as

[03:26] the

[03:28] performance, if you will, uh,

[03:29] anti-Trumper or whatever.

[03:32] But he really wasn't lying. He wasn't a

[03:34] liar. Rob Reiner wasn't a liar. B.

[03:36] Midler

[03:38] wasn't a liar.

[03:42] Pick anybody you want. Listen, you might

[03:44] you might you might not like Trump. You

[03:46] might not. They're really not liars.

[03:49] They don't

[03:51] Sometimes they may fool you a little

[03:53] bit, but they really are what they say

[03:56] they are. Let me say this again. They

[03:59] really are what they say they are. You

[04:03] just may not like it. Robert Dairo is,

[04:06] for whatever reason, he is paid to be an

[04:10] actor, but he really is this kind of a

[04:13] dim-witted lefty or however you want to

[04:16] say.

[04:17] He's not lying.

[04:19] He's not. That's That's real. That's who

[04:22] he is. Understand? He is probably more

[04:26] honest with you than other people.

[04:28] Honesty I can deal with. Honesty is my

[04:32] just tell me the truth. I know people

[04:36] that I actually kind of admire though I

[04:39] don't want to be around them. I may not

[04:41] like them, but they don't lie. They are

[04:44] who they are. What did Papey say? I am

[04:48] what I am. They are what they are.

[04:52] Remember that. So they're not they're

[04:53] not lying. Hillary Clinton,

[04:56] whatever you think about her, she is

[04:59] what she is. You may not like her. Oh,

[05:00] she'll say things in the course of of uh

[05:05] you know, politics to an extent. She'll

[05:07] change your mind. They all did. Remember

[05:08] the old days they were against gay

[05:10] marriage and then they were for gay

[05:11] marriage and then they were that that's

[05:12] politics. But deep down inside she is

[05:15] who she is.

[05:17] She is she's not

[05:21] but Jessica Jessica Erica Kirk

[05:25] is nothing.

[05:28] It's the role she is in. She is in the

[05:32] role

[05:34] of the

[05:36] sad to say widow. I don't want to mock

[05:38] that but she is the the ebullant

[05:41] exuberant the anxious

[05:45] the performative Christian

[05:49] just with the slashes by the way

[05:51] Christian slash by the way it's called a

[05:52] solidus or a veruual

[05:55] uh Christian slash

[05:59] [snorts]

[06:00] widow slashmother slash

[06:03] hot sexy slash

[06:08] brilliance admiring uh leader

[06:14] uh

[06:15] subject of of everything from lust to

[06:19] admiration. She is being her this

[06:24] iteration of her. And you might say to

[06:26] yourself, well is who she always is. No,

[06:30] no, no, no, no, no. You have never seen

[06:33] her. She does not exist. She is she's

[06:38] almost like a balloon without the air

[06:42] and the particular manifestation

[06:44] whatever the role is. That's what

[06:46] animates her when she was doing all

[06:48] those kind of that cheesecake cheesy you

[06:51] know

[06:53] doing you know reels for you know look

[06:55] at me I'm trying to get a job with her

[06:57] boyfriends. She was kind of like the

[06:59] young hip sexy, you know, so to speak,

[07:03] actress beauty pageant Erica. Now she's

[07:07] the older

[07:09] attempts to be more of like the

[07:11] respected mother or she does not exist.

[07:16] It's the role she is. She's the most

[07:19] dangerous of them all. She's not really

[07:22] lying to you. She's in this performance.

[07:26] When somebody's sleepwalking, they're

[07:28] not lying. If you believe in multiple

[07:31] personalities, they're not lying.

[07:34] When somebody is drunk, they're not

[07:37] lying, but they're in an altered state.

[07:39] And her altered state is that reality

[07:42] doesn't exist.

[07:44] So, you don't know what you're getting.

[07:46] Whatever you get from her, whatever she

[07:49] tells you, whatever you believe she is,

[07:52] it doesn't. She doesn't exist.

[07:57] It's the role at the moment. She's not a

[08:00] psychopath. We'll talk about that in a

[08:01] moment. She is not a psychopath. She is

[08:04] the con.

[08:07] I worked for years with some great

[08:10] people in professional wrestling.

[08:13] I knew some wonderful people. Gordon

[08:15] Sullley, Bobby the Brain Heenan. I loved

[08:17] him. We worked together. He was just a

[08:19] joy. one of the funniest, smartest

[08:22] people I have ever known. And what they

[08:25] tell me, and this is as close to this as

[08:27] possible, in the old days, during the

[08:29] days of Kay Fabe, when when wrestlers

[08:32] maintained the myth and the character of

[08:36] wrestling, when they're when they were,

[08:39] you know, the Undertaker or the junkyard

[08:41] dog or Bobby Henan, whoever it was, it

[08:44] was 247. If they were on the street, if

[08:48] they met somebody, if they met a fan, if

[08:50] they met a mazark, if they met somebody

[08:51] who was smears, if they met somebody in

[08:53] the business or not, they knew they were

[08:56] that role 24 hours a day. It wasn't

[08:59] just, you know, Robert Dairo isn't. In

[09:01] fact, a lot of these people really have

[09:02] no personalities. They're not that

[09:04] interesting. Have you ever met a really

[09:06] interesting actor really interesting?

[09:09] No.

[09:10] But but they don't have to be. That's

[09:12] not their thing. They realize they say,

[09:14] "Look, I'm not acting anymore." In fact,

[09:15] they want to tell you that they want you

[09:17] to forget it. They want you to leave

[09:19] them alone. I mean, they want to, you

[09:21] know, count the money and be loved and

[09:23] everything, but their whole thing is,

[09:24] "No, no, I'm not. No, no. I'm not Jake

[09:26] Lamada. No, no. Erica Kirk is Erica

[09:30] Kirk. This iteration, do you understand

[09:33] that she is real in her mind? And she

[09:38] thinks, you believe it. And she will

[09:41] say, and here's the scary part, anything

[09:43] she has to say,

[09:46] anything for that manifestation to

[09:48] continue. Anything she has to say, she

[09:53] will do so.

[09:55] She's not letting down her guard.

[09:58] Period. End of discussion. Okay,

[10:04] this is the dangerous. This This is

[10:07] It doesn't get more dangerous than this.

[10:10] because there's no letup. You don't

[10:12] know. You don't know who's there. You

[10:14] don't know who's there. I told you the

[10:16] story about Kenneth Bianke from the

[10:17] Hillside Strangler who during a quote

[10:19] hypnosis section sess session when they

[10:22] when he was pretending to be under he he

[10:24] was pretending that he had these various

[10:25] manifestations personalities and they

[10:27] handed him something and they knew right

[10:29] away he was lying because during

[10:31] hypnosis you you don't you don't

[10:33] manifestly involve yourself in an

[10:36] exertion of a of a of a real um like

[10:40] grabbing something. Anyway, he he didn't

[10:42] know this.

[10:43] Her to tells are all the time. Her to

[10:46] tells are constant. Now,

[10:50] what makes her even more difficult?

[10:52] First,

[10:54] when

[10:56] they

[10:58] do this, when they're in the role, when

[11:00] they're in this this self-induced

[11:02] personality disorder, she is the new

[11:05] Erica. All right? She doesn't have any

[11:09] faithbased

[11:10] anything. Everything she's done is an

[11:13] act. How does a devout Christian

[11:19] mother uh beautiful wife, she's not

[11:22] beautiful in the least. Charlie was very

[11:26] old-fashioned about I think women should

[11:28] stay at home and be moms and cook

[11:29] meatloaf and play at the park with their

[11:31] kids. Oh,

[11:33] I don't know where he got that from, but

[11:35] she she thought to herself, No

[11:37] way. But she, you never hear mention

[11:40] kids. Never. It's about her her role.

[11:44] Mother is the least important in in her

[11:48] in her performance in Erica. The

[11:53] whatever this particular iteration is

[11:55] means nothing to her. Never comes up.

[11:58] Not even a wife. Not even Charlie. He's

[12:02] They say some people who always say

[12:03] praise God. Remember the old pride the

[12:06] the the old the old great the ones would

[12:08] say praise God in the name of Jesus.

[12:11] They just said this as a punctuation.

[12:14] That was their um you know how some kids

[12:16] they say like I was so like and like I

[12:19] was so like like well that their like

[12:21] was always in the name of Jesus. Praise

[12:24] be to God. And and you expected it it

[12:27] was a cadence. It was a it was like

[12:29] hamburger helper. It was an it was an

[12:31] interconnective

[12:33] type of a or connective tissue. That's

[12:36] what but her act isn't very good. She

[12:39] never she never had the chance to really

[12:40] do it because Charlie was it.

[12:44] When you take on a role, when you take

[12:47] on a the act of the crying

[12:51] wife, you can only do this to for a

[12:56] while.

[12:58] Actors who had to play somebody who was

[13:00] limping would sometimes put a stone in

[13:02] their shoe or something which would

[13:04] remind them obviously to limp. But when

[13:07] you don't have a stone in your shoe,

[13:08] when you don't have anything, when you

[13:10] when you're so interested in the in the

[13:12] in the the acclaim and the praise and

[13:16] the crowd exaltations and you forget

[13:19] sometimes how you're not coming across,

[13:22] nobody is telling her, "All right, look,

[13:25] you've done the the crying handkerchief

[13:28] thing 50 times. Drop it."

[13:31] over a period of time.

[13:33] When people tell a story,

[13:37] in order to be efficacious at it, you

[13:40] have to sometimes you can't you can't

[13:42] make your audience you can't make your

[13:44] audience

[13:47] uncomfortable

[13:48] and you sometimes have to lose the

[13:53] lose the bit.

[13:55] You have to lose the bit. If they're

[13:58] finding every time they see you, if

[14:00] you're crying, they're going to say, "I

[14:01] I I just I I can't do this."

[14:04] You're reminding them, it makes them

[14:06] uncomfortable. Plus, it obfiscates, it

[14:08] interrupts the message. It confuses the

[14:10] message. If you're constantly crying

[14:13] now, had she thought about this ahead of

[14:15] time, she could have done this so much

[14:16] easier. But she doesn't do it. She

[14:18] doesn't think because she has no

[14:19] interest in trying to to to she doesn't

[14:22] want to come across as, how do I say

[14:24] this? She doesn't care whether she comes

[14:26] across as the beautiful wife. She wants

[14:28] She cares whether she comes across as

[14:30] Erica Kirk, movie star, superstar, sex

[14:33] queen, goddess,

[14:35] uh, babe, hot mom, middle-aged self, and

[14:40] siren, and you know what I mean? She She

[14:42] doesn't care about TPUSA in the least.

[14:44] She cares about the money. She cares

[14:46] about the, you know, the the revenue.

[14:48] She cares about the metrics. She has no

[14:50] interest. None. None.

[14:53] But if she were smart, wait, let me

[14:56] rephrase it. She's not she's not dumb.

[14:58] Don't get me wrong, she's not dumb. If

[15:00] she were dumb, it'd be, you know, even

[15:01] easier. But what she does is, this is,

[15:04] this is so interesting. She does some

[15:06] things which are really weird.

[15:08] She forgets kind of what people want to

[15:11] hear. And the thing people want to hear

[15:13] is they want to talk about how the the

[15:15] how the the uh organization is doing and

[15:17] how how it's working and how things are

[15:19] going. She wants to hear this. People

[15:22] want to hear this. People want to hear,

[15:24] for example, if she came on and said,

[15:25] "Last year we had we started a 100 new

[15:29] um

[15:31] 100 new charities or a new scholarships

[15:35] or we have uh 100 new um TPUSA uh

[15:40] ambassadors or something. Talk about the

[15:44] mission and then people will come to

[15:48] you. Then people will say, "Wow, do you

[15:51] hear what they're doing? I love this

[15:53] woman." She's not interested in that.

[15:55] She's not She doesn't care about that.

[15:58] Now, that may seem counterintuitive, but

[15:59] she doesn't care about whether you

[16:00] admire her or not. She has no interest

[16:02] in that. She want what she wants is she

[16:03] wants you to say, "Am I hot? Am I sexy?"

[16:08] Please do not think I'm being cruel.

[16:10] Please do not think I'm being cruel.

[16:11] Please do not think for a moment that

[16:13] I'm being cruel. Please do not think

[16:15] that what I'm saying is just being mean.

[16:19] If you don't understand this, you don't

[16:22] understand how she works. This is

[16:24] critical to who she is. She is a movie

[16:27] star, Shantus,

[16:30] actress,

[16:32] babe,

[16:34] sex pot. Her world is titilasian

[16:38] bee girl. Remember the bee girls?

[16:39] Remember the old days? the uh the like a

[16:42] Betty Boop pinup girls. It was a Betty

[16:45] Greybel. Not a great actress, but a hot

[16:48] number. She has no interest in anything.

[16:53] If I could say to her, listen, let's say

[16:56] I was the devil, some Fouian deal, and I

[16:59] said, listen, I'll make a deal with you.

[17:02] You will give up you will give up any

[17:04] and all claims to being a legitimate uh

[17:07] uh ambassador of your husband's

[17:09] goodwill. You will give up any and all

[17:11] connection with Christian goodwill, with

[17:14] spreading the holy word, with being a

[17:16] strong with being a Christian

[17:19] bellweather uh polestar example,

[17:22] exemplar,

[17:24] you you you will lose all of that. But

[17:26] in return for that, I will make you

[17:30] universally hot.

[17:33] Everybody who sees you will immediately

[17:36] say, "Damn."

[17:39] But you can never do anything remotely

[17:43] involving Charlie's good word. Now, the

[17:45] money, remember the money in in this

[17:46] hypothetical, let let's assume money is

[17:48] not really an issue here.

[17:52] Whereas other people would say, "Excuse

[17:53] me, my goal is to perpetuate his holy

[17:56] word, the holy word of truth, the Bible,

[17:59] the biblical edicts, the biblical, this

[18:01] is what I want. I don't care about Do

[18:03] you think Billy Graham ever cared about

[18:04] being hot? I mean, Billy Graham, of

[18:06] course, had an ego. I mean, when I see a

[18:08] good I mean, he he had he had he had

[18:09] self-determination and he had a a

[18:11] consideration and a and and and a uh a

[18:14] consideration and I should say and a

[18:15] focus on how he is perceived, but his

[18:18] whole his whole world world and word was

[18:22] a proliferation of the word. I think he

[18:23] was legitimate. I think I think Billy

[18:25] Graham was a holy man. Might have been

[18:26] perfect as a human, but he was

[18:28] incredible.

[18:30] Candace will look at that and say, "I

[18:32] don't care about that. I don't care

[18:34] about that. [clears throat]

[18:35] Candace, would you I'm keep saying,

[18:37] Candace, forgive me. Oh my god, did I

[18:39] Oh, please. Oh, Jesus. No. No. God, no.

[18:42] Don't not strike me down. Erica, Erica,

[18:44] Erica. Oh, I didn't mean that. Oh, Lord.

[18:45] Oh, Lord. She'll strike me down. Erica,

[18:49] you think Erica wants to hang around in

[18:51] the jungles,

[18:53] not bathe for a couple of days, so long

[18:54] as she can spread the holy word of

[18:56] truth? You think she would want to be a

[18:58] part of a missionary?" No. And she

[19:01] doesn't have to be to be fair. Not

[19:02] everybody wants to do that. But that's

[19:04] not what who she is. Her thing is that

[19:07] is the front. This is where the

[19:09] performative part comes in. This is how

[19:11] this thing works. And I can't say it

[19:14] enough. Now, let me say something about

[19:15] the psychopath.

[19:18] If ever there was a term that was

[19:20] overused, it's psychopath. If ever there

[19:21] was a word, a psychopath, the best best

[19:24] best

[19:26] explanation for you to understand is

[19:28] that they're not necessarily a killer.

[19:30] They're not mean, they don't mean to

[19:31] hurt anybody. That's not their focus.

[19:35] If they have to go through you to

[19:39] accomplish something, what makes them

[19:41] dangerous is that the normal thing

[19:43] called conscience they don't have. So if

[19:47] their success happens to involve

[19:51] bulldozing you, so be it. It's not

[19:55] because they want to, but you got in the

[19:57] way.

[19:58] And the reason why they're dangerous is

[20:00] that this conscience part doesn't work.

[20:02] What is conscience?

[20:04] The best definition is the head and

[20:07] heart connection. I can't say that

[20:09] enough to you. The head and heart

[20:13] connection.

[20:15] When you do something,

[20:18] part of what you do is paired with your

[20:23] guttural, visceral, emotional reaction

[20:26] as to how it will be perceived, how it

[20:29] will be manifested, whether people

[20:31] suffer, whether you'll lose your job,

[20:34] lose your freedom, get arrested,

[20:36] whatever it is. Some people will say,

[20:38] "I'm not going to do this because I

[20:40] could get arrested." Right? That's not

[20:43] that's not moral. Well, that may be just

[20:45] fear, but the head and the heart are

[20:47] connected.

[20:49] The the heart says, "No, no, no, no, no,

[20:50] no. It's the emotional part. It's the

[20:52] reality." It's almost like It's almost

[20:54] like the Freud id, super ego, and ego.

[20:56] It's it's it's almost like that. It's ID

[20:57] versus

[20:59] super ego really when when the when the

[21:01] ego is completely excluded from

[21:04] consideration, if that makes any sense.

[21:06] One of the things you have to understand

[21:08] about these people, one of the best

[21:09] examples I saw was there was a test

[21:11] years ago and they did some fMR fMRI

[21:15] kind of imaging research and they wanted

[21:17] to see for example they put a a molecule

[21:19] of glucose or whatever in your brain and

[21:21] they wanted to see they wanted to see

[21:22] which areas fire during certain

[21:25] particular mental activities. And one of

[21:27] the things they did was they took people

[21:30] and they told them that they were going

[21:31] that they were going to put on their

[21:33] finger a little not a plethmograph but

[21:35] some type of little a little electrical

[21:37] charge or element or something and that

[21:39] at the count of 10 they would receive a

[21:42] mild electric shock and there wasn't a

[21:44] shock that that's not the point but they

[21:47] told them it was they told him they told

[21:50] the the the the participant when you do

[21:53] this you will receive a shock. Okay.

[21:56] Fine. So what happened was when they did

[21:59] day 10 98 or they counted forward or

[22:01] backwards when they did this they

[22:02] noticed parts of the brain were firing

[22:05] indicating anticipation. Why? The head

[22:09] the

[22:11] notification of what was going to happen

[22:13] and the heart the anxiety the

[22:17] consequence. Wait a minute I've got five

[22:20] more seconds. I'm going to be shocked.

[22:23] Whereas the head says, "The rules are at

[22:25] the count of 10, I will receive an

[22:28] electric shock."

[22:31] The heart kicks in, "You idiot. Don't

[22:32] you know what that means?" That's it.

[22:34] The heart says, "You idiot. Don't you

[22:36] know what that means?

[22:39] If I told you, hey, listen. We're we're

[22:41] we're we're counting the the the money

[22:44] on Sunday, you know, from the collection

[22:45] plate. We're in the back of the church.

[22:48] you know, we we could take this money

[22:52] or we could take parts of it. You might

[22:55] say to yourself, "Wait a minute. If we

[22:56] do that and we get caught, then what the

[22:59] hell are you thinking? Or do you know

[23:01] what's going on? We could lose our

[23:03] position in the in the in the uh

[23:06] community. We we might embarrass

[23:07] ourselves. We might be arrested. Our

[23:09] families will be scorned and be thrown

[23:10] out of the church. Oh, we can't do that.

[23:12] Why? Because the risk that's your head

[23:14] your head and your heart connecting.

[23:16] That's your heart saying no no no don't.

[23:18] Psychopaths don't have that. So in the

[23:20] particular test I'm talking about when

[23:22] they did the 1098 in regular people

[23:23] their brains are going crazy. The

[23:25] anticipation when I say going crazy

[23:27] meaning the part of your brain that says

[23:29] hey idiot. What do you two more seconds

[23:32] get ready brace yourself. Here comes the

[23:34] shock with the psychopath.

[23:38] Nothing.

[23:41] It didn't connect. Psychopaths are great

[23:43] heroes. I'm hurt. I'll get him. You're

[23:48] No. What are you crazy? No. Get him.

[23:52] Terrible chess players. If I move here,

[23:55] I'll move here. There's no It just plays

[23:59] and you get your hand on the queen and

[24:00] you're looking around. Oh my god. I

[24:01] don't I don't want to lose the queen.

[24:03] There's nothing.

[24:05] She doesn't have that

[24:07] because even that connection may have

[24:10] nothing to do with morality. She doesn't

[24:12] have that. She's not that bereft. The

[24:15] emotional part of her has not been

[24:17] tabled completely. She's in an act. And

[24:21] lately,

[24:23] not only that, we got somebody here who

[24:26] is weird coming on to a 15-year-old

[24:30] referring to things as far as the the

[24:33] female pudenda, which of course is

[24:36] irrelevant. I mean, redundant, I should

[24:37] say, tautological, dare I say. That was

[24:41] the scariest. See, one word about the

[24:43] sex.

[24:46] You see,

[24:49] when you are uniquely

[24:52] depraved,

[24:54] you do things and you exhibit things in

[24:56] different ways. Most people have a range

[25:01] in terms of sexual expression. It's this

[25:04] far.

[25:06] And within that range, it's very

[25:08] healthy.

[25:09] You might be quite the the fire brand,

[25:14] the temptress, the devil woman or man.

[25:16] You might you might be a little kinky, a

[25:18] little strange, a little weird, but not

[25:20] you just and that's within the the realm

[25:22] of imagination and

[25:26] role playing or whatever you want to

[25:28] call a certain amount of of,

[25:30] you know, identification of sex maybe as

[25:33] a target. flirtation

[25:35] maybe getting a little randy a little

[25:37] there's a there's this realm here

[25:39] there's this but there are these cut off

[25:43] points violence

[25:45] serious deception criminality

[25:48] children

[25:56] in most of us in a western society I'll

[25:59] leave it at that because I can't argue

[26:00] about others we draw the line at

[26:02] children not only First of all, we do

[26:04] not feel any kind of sexual attraction,

[26:07] but we draw the line. And even if that

[26:10] line is

[26:14] close, we say, "Uh-uh.

[26:16] 15-y old girl." Uh-uh. And most of us

[26:18] would say, especially now with how how

[26:20] we know how things work. We will say,

[26:21] "We are not going to put our our names

[26:23] and our feelings and our desires and our

[26:25] lust into a series of columns

[26:28] and text messages where somebody can

[26:30] read these later on. We're saying,

[26:31] "Nope, get away. Get away.

[26:34] to these people,

[26:37] to Erica Kirk. Not that she Not that she

[26:40] not that she

[26:44] doesn't understand it's wrong. She just

[26:47] thinks she's

[26:49] smarter than you. And she may not have

[26:52] ever even followed through with any of

[26:53] this stuff, but you know what? It

[26:54] doesn't really matter.

[26:56] And they love to feel

[26:59] smart that they're pulling one over on

[27:02] you. See, Erica Kirk loves the fact, by

[27:05] the way, let me know if I say Candace

[27:07] again by accident.

[27:09] Erica Kirk loves to be Erica Kirk. She

[27:14] loves it. Oh man, does she love it. She

[27:17] loves it like you cannot believe. She

[27:20] loves it. She loves it.

[27:27] I could go on.

[27:29] I think she is singularly

[27:32] one of the most fascinating examples of

[27:35] almost of the inadvertent villainous.

[27:39] Her goal is not to hurt.

[27:43] Her goal is deception.

[27:47] to sell her very limited, very closed

[27:53] off, very

[27:56] needy sense of perpetuation of this, the

[27:59] grandiosity of who she is. She's Erica

[28:03] Kirk. But remember, number one, Erica

[28:07] Kirk, woman,

[28:10] sexy actress. You love me. Ah, Charlie.

[28:14] Yeah. Yeah. Yeah. You love me,

[28:17] Christian. Yeah. Yeah. Yeah. Yeah.

[28:19] Mother. Yeah. Yeah. Yeah. Me. You love

[28:21] me. When I stand out on the the wings of

[28:25] the stage and I hear them crying and

[28:28] cry, yelling and applauding my name.

[28:30] They like me. Remember Sally Field? They

[28:33] really like me. It's about me. Not only

[28:36] do they like me, but when I walk out,

[28:38] you can see their faces because they

[28:40] have never seen anything. And I hope you

[28:41] don't think I'm being too cruel. first

[28:44] and foremost and in her minds as the

[28:46] beginning has always been sex pot sexy.

[28:49] You know how it is. Look, I I don't this

[28:51] is not a phenomenon that's of new social

[28:54] media just exemplify it. It it basically

[28:57] exacerbates it potentiates potentiates

[29:00] the problem that my friend I stop I stop

[29:06] I stop. Let that sink in. This is one of

[29:09] the most fascinating subjects and I

[29:12] thank

[29:15] the woman who made it possible. The

[29:17] woman who put fire in this subject is

[29:18] Candace Owens. There is nothing like

[29:20] Candace Owens. Nothing. She is

[29:23] phenomenal. She is great. There are few

[29:26] people that I've come across in the in

[29:28] the pantheon of this this particular

[29:30] medium. Alex Jones is up there. Alex

[29:32] Jones is in the is in the he's Zeus as

[29:36] far as I'm concerned. And every now and

[29:38] then there's these ones who come along

[29:39] who are terrific, who are really good.

[29:42] But Candace Owens,

[29:45] League of Legs

[29:52] and is a performance genius

[29:54] incorporating both performance and the

[29:57] veracity because she means what she

[29:58] says. So, thank you. Thank you, Candace.

[30:01] Thank you. Thank you for listening.

[30:02] Thank you for following my wife, Lynn

[30:03] Shaw at Lynn's Warriors. Your support of

[30:06] her means the most to us. The fight

[30:08] that's going on which is more important

[30:10] than any of this than Erica Kirk or

[30:12] anything is what they are doing to

[30:13] children. And this is why it bothers me

[30:14] so much how when we see this predation,

[30:17] this targeting of this young girl then

[30:19] it it

[30:21] immediately it's wrong. It is so wrong.

[30:24] We have to stop that. So thank you for

[30:26] following and please follow her at Lyn's

[30:28] Warriors. All right. Good. Now in

[30:31] addition, dear friend,

[30:33] I want you to understand something. I

[30:34] want you to listen carefully and I want

[30:36] you to follow what I'm saying. Listen

[30:40] carefully.

[30:43] The

[30:44] most important thing for us to do is to

[30:47] not lose our sense of direction.

[30:50] Make sure you understand where we are

[30:52] and the path that we are on. What we're

[30:53] trying to do. We believe in truth. If

[30:56] truth is the focus of your attack, is

[31:00] the it's the the target, the

[31:02] destination, you will always win. You

[31:04] will always be successful if that's what

[31:06] you want. And truth is very dangerous

[31:08] because sometimes when you get the

[31:10] truth, a lot of people who are the

[31:11] subjects of the truth don't care for

[31:13] that. All right, dear friends. Thank

[31:14] you. Please like this video, subscribe

[31:16] to the channel, subscribe to the

[31:18] channel. 70% of the people that we find

[31:20] out who watch us don't even subscribe.

[31:22] Please like the video. Hit that little

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[31:27] questions for you to review. Please do.

[31:29] Your your insights are wonderful. The

[31:31] interaction is wonderful. As I now

[31:33] beseech importune, intreat ask

[31:37] and just wish that you would comment as

[31:43] you see fit.