Megyn Kelly Defends Candace Owens, Destroys Bari Weiss and CBS News in Scathing Interview with Tucker Carlson

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Megyn Kelly Defends Candace Owens, Destroys Bari Weiss and CBS News in Scathing Interview with Tucker Carlson

Megyn Kelly sits down with Tucker Carlson to discuss her position on Candace Owens' controversial questions, the treatment Owens has endured, and why she refused to police her friend's commentary. Kelly then turns her attention to Bari Weiss's appointment at CBS News, delivering a devastating critique of Weiss's lack of broadcast experience, her handling of the Erika Kirk town hall, and why CBS Evening News is doomed to fail. In a no-holds-barred conversation, Kelly pulls no punches about media incompetence, executive overreach, and the slow death of network news. This is Kelly at her most candid, offering insider perspective on the battles happening behind the scenes in American media.

Categories: Analysis
January 9, 2026

Standing With Candace Owens

Megyn Kelly opens up about her decision not to call out Candace Owens for raising questions about Israel's possible involvement in Charlie Kirk's death. Kelly makes it clear she was completely comfortable with those questions being asked and remains so. She acknowledges her own openness to the possibility that someone aligned with or from Israel might have had involvement, though she personally believes it was Tyler Robinson acting either alone or with accomplices, or possibly manipulated by someone.

Kelly explains how the focus of Owens' commentary shifted to Erika Kirk and Turning Point USA. During this period, Kelly worked closely with Turning Point and Erika, advising them on how to handle Owens' questions. Kelly's advice was consistent: Candace has a right to ask whatever questions she wants, and the best approach is not to try to combat each claim or respond to every question. Sometimes they agreed with her approach, sometimes they didn't, but Kelly remained in close contact with them throughout.

Eventually, Erika asked Kelly to help broker a meeting or some sort of reconciliation with Owens. Kelly suggested that perhaps a simple email might be the best approach rather than a meeting or the live stream Erika initially wanted. Kelly tried to be of service and also spoke with Candace, being honest with her throughout the process.

Kelly reveals that she's gotten to know Owens much better over the past six months—better than ever before. Through this closer relationship, Kelly has learned about what's being done to Candace by some of the people they've been discussing, calling it disgusting and saying she's horrified by what Owens has been put through. Kelly makes her position crystal clear: she's not Owens' policeman and doesn't want to be. Her advice to critics is simple: if you don't like her, don't click on her face.

Bari Weiss at CBS: A Doomed Experiment

When Tucker Carlson asks about Bari Weiss's appointment at CBS, Kelly doesn't mince words. She flatly predicts the experiment won't succeed and that nothing will change at the network. Most importantly, she says Bari Weiss won't be the one to change it.

Kelly lays out her case methodically. First, she points out that Weiss has never worked in television a single day in her life. She wasn't even very experienced in the press business or newspaper business, having quit the New York Times after just a couple of years. Kelly acknowledges that Weiss has one thing going for her: she's not woke when it comes to certain groups, though she is woke when it comes to American Jewish people and somewhat when it comes to women. But being less far-left than some woke radicals who dominated during 2020 and its aftermath doesn't qualify someone to run a news organization.

Kelly addresses the tweet she sent when Weiss got the job, saying Weiss deserved her success. She explains she was being nice because they were friendly, and she doesn't begrudge anyone their success or the money Weiss got paid for an organization that honestly wasn't worth $100 million. But the fact remains: Weiss has no business running a TV news organization.

The Broadcast Piece Matters

Kelly emphasizes that there's a lot more to TV news than just taking the free press and putting it on TV. There's a reason they call it broadcast news—there are two pieces to it. The news is important, but so is the broadcast piece. And the fact that Weiss put herself at the helm of the Erika Kirk town hall proves she doesn't understand the broadcast piece.

Kelly doesn't pull punches: Bari Weiss is not a strong broadcaster for many reasons and should not be on camera. She should not be the face of CBS News, and she absolutely should not steal the on-air opportunities of the talent filling those roles. Kelly points out there's no better way to create loathing and resentment from the talent in your building than for you as an executive to start stealing their prime time opportunities.

The Erika Kirk Town Hall Disaster

The town hall was a massive failure, Kelly says. The ratings were terrible, and it wasn't because the public isn't interested in Erika. The problem was that Weiss didn't lead Erika to good places where she could shine. Instead, Weiss ambushed her with the guy who asked Charlie the last question before he was shot and killed. She brought him back to face Erika Kirk to finish a question and to ask Erika to condemn Trump's violent rhetoric.

Kelly's outrage is palpable as she describes the situation: this is the guy who saw Erika's husband get assassinated by a leftist furry-loving guy, and now Weiss wants to make his widow condemn Trump—the president who just gave her husband the presidential medal of freedom, whose vice president buried him and got him on Air Force 2. Kelly doesn't hold back: "How dare you? How dare you do that, Bari Weiss." She says Weiss had zero sensitivity about the ambush, and there's no love lost between Erika Kirk and Bari Weiss.

Tony Dokoupil and the CBS Evening News

Kelly continues her critique, addressing the broader problems at CBS. There's no saving CBS Evening News, she says. She questions what Tony Dokoupil has done so far, noting that nobody knows who he is. He got the job because he had a contentious segment with Ta-Nehisi Coates in which he was good. Coates went to Israel for 10 days and came back claiming to be an expert, wanting to write his thoughts. Kelly dismisses this: you're not an expert after 10 days anywhere. She jokes that she just got back from Montana for 10 days, and that doesn't make her an expert on Montana—it's cold, has bears, people love to hunt, but she's not an expert.

That interview with Coates was why Dokoupil got the job—because he stuck up for Israel. He has an ex-wife living in Israel, and that's the agenda now of Bari Weiss and her bosses, the Ellisons at CBS and possibly at CNN if they wind up buying that too, though it's not looking good given the rejection of that bid.

Kelly asks what Dokoupil has actually done. She says they pulled up segments from when he was a correspondent, noting that he's now claiming he's always hated the reliance on elites and that he's going to be for the people—trying to sound like a Fox News anchor. But when they looked at his coverage of major news events, like the Border Patrol allegedly whipping Haitian migrants story, Dokoupil didn't get it right even 24 hours in after the Reuters photographer who took the pictures said that's not what they show. He jumped right on the bandwagon and served it up to Jen Psaki, letting her dump all over the Trump administration and the Border Patrol.

Kelly expresses deep skepticism that Dokoupil is the savior of CBS Evening News. People aren't interested in network news, she says. They're really not interested in Evening Network News, and they're really not interested in CBS Evening Network News. It will fail, as will the entire network.

Bari's Sales Pitch

Tucker Carlson responds with grudging respect for Weiss's ability to convince the Ellisons that CBS News was the way to control American public opinion, calling it hilarious. The conversation captures the insider perspective both Kelly and Carlson bring to understanding the dysfunction and delusion driving decisions at legacy media companies.

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